Collective Management

Presentations

Réinventer la Commission du droit d’auteur

By drawing on both domestic (e.g. SCC, Competition Tribunal, hearings under PN(NOC) Regulations, etc.) and international comparisons, this panel could consider how a « modernized » Canadian Copyright Board might function. The panel would examine different models from around the world, particularly tribunals of 'last resort' that are called upon only to arbitrate unresolved disputes between right […] Read more

Presentations

“Mandatory” Tariffs

The majority reasons established that the power of the Copyright Board to set the terms of a licence under s. 70.2 of the Copyright Act does not include the power to bind the parties to those terms: in the absence of clear authority that this is Parliament’s intent, “the burdens of a license should not […] Read more

Presentations

Gestion collective: L’après Sté. Radio-Canada c. SODRAC

This content is not available in the selected language. Dans l’arrêt Société Radio‑Canada c. SODRAC 2003 Inc., la Cour Suprême ne s’est pas contentée d’arrimer neutralité technologique et évaluation. Le Juge Rothstein, pour la majorité, a ajouté que les licences octroyées par la Commission du droit d’auteur sur le fondement de l’article 70.2. ne sont […] Read more

Presentations

Conjectures on Governance and Wholesale Licensing

This content is not available in the selected language. The relationship between copyright management organizations (CMO) and their members is a fairly unusual one, at least by the standard of more ordinary corporations. With examples such as the creation of BMI or the Daft Punk case in mind, one could say that conflicts born of […] Read more

Presentations

Gestion collective et gouvernance

This content is not available in the selected language. Dans son ouvrage intitulé Le droit d’auteur : l’idéologie et le système, Thomas Paris décrit la gestion collective comme la composante gestionnaire, tout autant qu’un élément structurant, du système de droit d’auteur. Elle est, de fait, devenue incontournable pour la mise en œuvre de certains droits de […] Read more

Articles

Of Guilds and Men: Copyright Workarounds in the Cinematographic Industry

This content is not available in the selected language. The motion picture industry utilizes a varied collection of more or less formal mechanisms for dealing with the collective nature of audiovisual works, ranging from collective bargaining to legal presumptions. What these instances of copyright workarounds have in common is that they are all about circumventing traditional notions of […] Read more

Presentations

Of Guilds and Men

This content is not available in the selected language. The motion picture industry utilizes a varied collection of more or less formal mechanisms for dealing with the collective nature of audiovisual works, ranging from collective bargaining to legal presumptions. What these instances of copyright workarounds have in common is that they are all about circumventing traditional notions of […] Read more